Today I opened a package with four (4) wondrous contributor copies of the September 2024 issue of ParABnormal Magazine, with my story “Aveline’s Apartment” contained therein. Special thanks to magazine editor H. David Blalock and Hiraeth Publishing editor Tyree Campbell, for molding my lumpy ball of clay into a sleek, symmetrical rocketship of a story (no, it’s not about a spaceship.)
ParABnormal Magazine is an all around entertaining magazine, filled with fiction, nonfiction, and art, and I recommend a subscription unreservedly.
I have short story news, as opposed to the boring illustration news:
1. My story “Disquiet” will go live in June, on Penumbric.com.
2. I have sold my story “Aveline’s Apartment” to ParABnormal Magazine.
After a long dry spell, three things are going right. The first two are mentioned above. The third is that I’ve finally gotten control over my novel. I have tamed the beast, and now that she is under my control, we will go to wonder-filled places, on an Earth just like this one…mostly. I will post a very short excerpt on Slip of the Pen in a few days. Until then, I will be writing my butt off, and you beautiful people will be performing your own kind of magic….
The author, Donna Tartt, once wrote that sometimes, people fail, no matter how hard they work, no matter that they make all the right moves, and that this is a bitter pill to swallow.
I have been failing as a writer. During the last two months, I’ve been in and out of the hospital five times. I am 52 years on this Earth, and despite my very best efforts, I have been largely unable to sell my literary work.
During the past three or four years, I have decided to quit writing on four occasions, the very most recent one being yesterday. I’m far too thin-skinned, and I cannot find a reliable critique partner (except for Dave, of NC: you know who you are! And occasionally, Dean, of Canada). If I could let go of it, I could spare myself much heartbreak and focus solely on my illustration work…except I can’t.
To paraphrase William Burroughs, “[writing] is a virus from outer space.” For those of us unfortunate enough to be infected, quitting writing is on par with ceasing to breathe. So, I have basically been cursed to suffer, and KEEP suffering…except that, the act of writing, those times when I am so lost in the Realms of Story that I cannot hear the phone ring, are the limited hours that I get to spend time in heaven. Heaven is addictive, much like heroin, and falling in love, again and again….
I still draw (though during the interminable periods of my hospitalizations, I cannot touch the stuff), but I have failed, repeatedly, to exclude writing fiction, so that I must bounce back and forth like a ping pong ball, between visual and literary work. It only feels like a trap because I cannot manage to sell anything, which is an experience diametrically opposed to my writing experiences during the 90s. So I must fail, and keep failing, at something that I consider holy.
But life is tough all over, and I must stop whining about it.
My flash science fiction story, “The Last Goodbye,” is in the November 2022 issue of The Martian Wave. This is a story about how, in an era of interstellar space travel, two people can be separated, for all intents and purposes, forever. If you’ve read the story and come away with a heavy heart, this might perk you up: another story, featuring the same two characters, will find them reunited against impossible odds, in order to face a dire threat to the entire human presence in the Milky Way galaxy. I will post more about this once the story gets underway.
I am not the only writer in my family. We Dixits are a rather literary and artistic bunch. My cousin Pooja had the following article published in Salute. Pooja has been a journalist for several decades and worked as staff writer, (and at times as editor) at Times of India (India’s equivalent of The New York Times.
Pooja’s daughter, Ananya, at the age of 17, has had an article tackling equally weighty issues in feminism on Livewire (sister publication to The Wire.)
The Story Behind the Most Difficult Story I’ve EverHad to Write
In late 2003, I started a short story tentatively titled “The Clacker.” I had the bare bones of a religious concept, itself based on my bare bones knowledge about the Cathars, a branch of Christianity wiped out by the Roman Catholic Church. (If this behavior by the RCC comes as a surprise, you probably shouldn’t be reading horror fiction, or science fiction, or fantasy or…look, just pick up some history books from your local library. Concentrate on books aimed at young adults.) Of course, I had internet access, just like the vast majority of Americans. Usually, research plus imagination crystallizes into some kind of story! It isn’t necessarily a good story, but at least it has a middle and an ending, to keep the beginning company. After several hours in which I wrote, and rewrote (moved around some words) the same two or three paragraphs, I surrendered.
But this wasn’t exactly a surprise.
You see, my creativity had been slowly leaching away, like a vital nutrient washed out of the soil by heavy rains. Creativity is, perhaps, the most vital nutrient required in order for writers and illustrators to grow their respective works of art. I was both, so the losses were doubled.
Fast forward to 2013, when a fortuitous change in my medication started growing that essential creativity once more, and without warning. I found myself suddenly deluged, not by rain, but by The Nutrient. Potent stuff that the desire to create is, I was overwhelmed by ideas. Stories I wanted to write and drawings I wanted to do wouldn’t just materialize; I had to grow them. I had a LOT of work ahead of me. I did a bunch of drawings, mostly of women and elder gods, and stuttered through the beginnings of half-a-dozen stories that were essentially going nowhere. I was all over the place, writing horror, science fiction, dark fantasy…but just their opening paragraphs. Drawing came naturally to me. I’d been a visual artist first, having picked up crayons at approximately the age of five. I didn’t write my first story until high school—during senior year, no less. Writing required more focus.
I don’t remember how I got the idea to go looking through my old fiction folders, but it was the trigger, or the key, or even the electron microscope (focus, get it?)—choose your metaphor. I opened many old files, which my latest version of Microsoft Word needed to translate into the new century, second decade. I found myself aghast at such amateur writing, and absurd, old tropes from the 1990s. The only ones that held any promise were the seeds of classical material: ghosts, apocalypses, cosmic horror, Lovecraftiana (no, probably not a real word), etc. You get the picture.
Ultimately, I settled on two stories: the apocalyptic “Sacred Glyphs” and one of those Lovecraftian pieces, entitled “The Clackers.” First thing I did was rename it “The Bible Black,” a title I stole from Ronnie James Dio’s final project, Heaven and Hell. The fact that he died before the album’s release just gave this song a creepy pathos that no musician could, or would, be able to pay for. If you want to hear the song that would ultimately inspire “The God Whom No One Worships,” tap here.
To deflate this bloated blog post, I will hurry along, now. I asked both my wife, Sherry, and my good friend, author/artist Dean Italiano, to give it the metaphorical red-pen treatment. They both gave me a lot of good advice. I think it was around then that I renamed it “The God Whom No One Worships.” But as I read it over, again, I felt something was wrong. I was too close to it, though, had worked on it too recently, to be able to see it clearly.
So I hired Mary SanGiovanni’s MSEditing to help me improve that story, and it was worth every penny. When Michael Kelly was seeking a short work of pulp fiction, I sent, among other things, “The God Whom No One Worships.” He accepted, asking only that I retitle it “The Night Kingdom.”
So, “The Night Kingdom” (It just rolls off the tongue, doesn’t it? That’s why he wins the awards, folks.) will appear in the inaugural issue of Weird Horror #1, along with twelve other chilling tales, this October. I urge writers to pick it up in order to get an idea of what they’re looking for, and I urge everyone else to pick it up because it will undoubtedly be good spine-tingling fun.
This drawing just developed organically. No part of it was planned or sketched out—I just made it up as I went along. That is unusual, at least, for me. As for the woman in the drawing—perhaps she is my muse. My muse carries a dagger. How cool is that?
My gifted friend and once-upon-a-time co-author, Mary SanGiovanni, has a brand new novel coming out August 28th. You can preorder Behind the Door for Kindle, or a variety of formats, and early buzz indicates that it is not to be missed. So please, check it out, along with the first Kathy Ryan novel, Chills.